Hey y’all!
I read a decent number of comics this week. And they were mostly pretty good! The
Comics of the Week goes to Young Justice #3! It’s a good comic, fun comic and
that’s all I want it to be.
On a
side note, Jonathon Hickman is coming to save the X-Men! I loved Hickman’s work
on Avengers and Fantastic Four so I’m psyched. Coming in June, two miniseries.
Anyway, let’s get to the comics. As always, Spoilers for everything.
Comics Reviewed: Young Justice #3, Age of X-Man: Apocalypse and the
X-tracts #1, Age of X-Man: Prisoner X #1, Age of X-Man: X-Tremists #1, X-Force
#1, Uncanny X-Men #14, The Flash #58
Young Justice #3
Writer: Brian Michael Bendis
Artist: Patrick Gleason and Viktor Bogdanovic
Colors: Chris Sotomayor (pg. 6-16) and Hi-Fi
Inks: Jonathon Glapion (pg. 12,14-15,18) and Alejandro
Sanchez (pg. 1-5)
Letters: Carlos M. Mangual and Josh Reed
Cover: Gleason and Sanchez
This
is a good, fun comic, y’all. My only problem is that the story is moving at a
snail’s pace. Which is not surprising for a Bendis comic, but for whatever
reason, it feels extreme here. The writing is snappy and I like that each issue
is a focus issue, although I am not sure Bendis quite has Connor’s voice nailed
down. It is super interesting that Connor has decided to settle down and start a family in Gemworld. I
wonder how that will effect this arc. And does his kid make Superman a
grandfather? If so, is Lex one too?
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I'm gonna cry |
In
terms of the art, I hope Gleason is alright. It’s not great that there is
another artists so early in this series, but it also might not be Gleason’s
fault. Either way, his art remains impeccable. Bogdanovic’s is… less so. The
isn’t anything in particular that is wrong with it, but the art on his pages is
just not as dynamic. But it is plenty good enough for a fill in issue. I just
hope Gleason returns for the full issue next time.
Verdict: Buy
Age of X-Man: Apocalypse & the X-Tracts #1
Writer: Tim Seeley
Artist: Salva Espin
Colors: Israel Silva
Letters: VC’s Travis Lanham
Cover: Gerardo Sandoval and Silva
I
don’t know what to say about this comic. Nothing really happened in it.
Apocalypse is leading an insurgency against the X-Men. You get it? It’s just
the opposite of Age of Apocalypse.
There aren’t really any interesting characters here. Even Kitty Pryde is boring.
How did Seeley manage that? And I know he’s a good writer, but this comic felt
phoned in.
Salva
Espin’s art was fine. Everything looks sharp and is clear. Some of the faces
look the same and it just isn’t very exciting art.
Verdict: Pass
Age of X-Man: Prisoner X #1
Writer: Vita Ayala
Artist: German Peralta
Colors: Mike Spicer
Letters: VC’s Joe Sabino
Cover: Patch ZIrcher and Brian Reber
I
really enjoyed this comic. That was several days ago at the time of writing and
I barely remember what happened. Does that mean it was bad? No. Does that mean I
want to come back for more? Probably not. Vita Ayala had some decent lines of
dialogue, but beyond that, I found it to be just fine. Also, I know this an
alternate universe (Or something like that?), but Beast seems completely out of
character and I don’t believe in it at all. Same with vindictive Gabby. I don’t
need that kind of negativity in my life.
German
Peralta’s art mirrors that feeling. Everything looks good and is easy to
follow, but the environments are bland, and the characters don’t look
particularly special. Except Beast and Polaris. Because he is a big blue
furball (And in an outdated design, but alternate timeline, I guess?) and she
has green hair.
Verdict: Borrow
Age of X-Man: X-Tremists
Writer: Leah Williams
Artist: Georges Jeanty
Inks: Roberto Poggi
Colors: Jim Charalampidis
Letters: VC’s Clayton Cowles
Cover: Razzah
This was a fun little comic. I
don’t know Leah Williams, but I think she had some fun, snappy dialogue here.
And the story seems rife to explore the morals of these characters. What a
weird group of characters too. How did Monet and Northstar end up on this team?
He doesn’t even seem to serve any purpose. Of course, that probably means he’s
the key to whatever we end up seeing in this series.
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Strange lineup |
Georges Jeanty is a very good
artist that has both an innocuous and striking style here. It is so hard for me
to talk about because it is very much something I enjoy, but also something
that doesn’t stand out. Normally I’d label that as “fine” art, but something
here make sit better than that. Maybe it’s the expressive faces? This is why I
tend to focus more on stories and writing in these reviews. I am FAR from an
artistic expert.
X-Force #1
Writer: Ed Brisson
Artist: Dylan Burnett and Juanan Ramirez
Colors: Jesus Aburtov and Brian Reber
Letters: JVC’s Cory Petit
Cover: Pepe Larraz and David Curiel
Ed
Brisson is my guy on the X-books, but this comic is boring. The backup story is
much closer to what I was expecting from the main story: focused, charming, and
character driven. The main story is instead driven by characters from the
country Mt. Wundagore is in and none of the characters have discernable
personalities. Its pretty disappointing from that angle. Except for my girl
Boom Boom! Her backup story feels so much more energetic and interesting, like
Brisson wanted to make it the entire issue. Also, the person that fits Kid
Cable’s description that gets mentioned a couple times in this issue is
definitely Kid Stryfe, right?
And
the art… I don’t think I like Dylan Burnett’s art. It is not inherently unappealing.
I can tell what is happening in every panel and the backgrounds look fine. But
every character is off model in most shots. Look at Kid Cable’s arm in the
above panel. It looks like that every few panels. What is going on?
On
the opposite end, Juanan Ramirez’s art is much more my speed and even improved
from his story in Uncanny X-Men #11. It
is much more energetic and has far more personality that Burnett’s. It also
seems to be all on model. Pretty good.
Verdict: Pass
Uncanny X-Men #14
Writer: Matthew Rosenberg
Artist: Salvador Larroca
Colors: Guru-eFX
Letters: VC’s Joe Carmagna
Cover: Larroca and Rachelle Rosenberg
Y’all!
A good issue of this arc has arrived! The dialogue here is kinda stilted, but
the story was interesting. Have the Morlocks, led by Chamber, was fun. They’re now based in Chernaya which is
interesting. There are problems here, though. I know that Cyke and Logan are
the focal characters of this story, but why was Havok there during the meeting
with Val Cooper. They worked together in X-Force! They worked with Madrox too,
but he was too busy being wildly out of character and beating a powerless
mutant with multiple baseball bats. I think Matthew Rosenberg hates this
character. Everyone is mostly in character. I still don’t think Rosenberg
really understands Cyke, but oh well.
The
art is, once again, very good. It seems a little stiff, but otherwise I still
enjoy it. Magik has a Colossus arm in this issue. Was it like that in past
issues? I have no idea why, but the mutant they captured and beat looked like
Colossus. What’s up with that?
Verdict: Buy
The Flash #58
Script: Josh Williamson
Artist: Rafa Sandoval
Inks: Jordi Arragona
Colors: Tomeu Morey
Letters: Steve Wands
Cover: Sandoval, Arragona, and Morey
Josh
Williamson’s run on this comic has been a mixed, but mostly good, bag. And this
issue continues that trend. The general idea of Barry going on a “Force Quest”
is interesting, but what does that mean? Its implied that this is some
walkabout thing, but is that it? And what does Barry expect to get out of this?
A better understanding of the Speed Force. But what does that mean? It just
isn’t clear. And will that better understanding help explain what the other
forces are? Are they related to the forces over in Justice League? I’m a bit behind on that book as well, but its been
implied they are linked, but no real link has been shown.
That was
all pretty negative, but I did enjoy this issue. I think the characters were
fun and Barry and Iris’ banter was entertaining. Gemini seems like they might
be an interesting foe even if they’re being left behind for the time being. There
wasn’t much plot progression here, but it was a fun little one off.
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This is Iris... |
As for
the art… It is very good. Unless you look at Barry’s or Iris’ faces. In that
case, its awful. But the rest of the art is energetic, expressive, and
detailed. Sandoval is an artist I always enjoy and that doesn’t change here.
Verdict:
Buy