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Sunday, May 19, 2019

Comic Reviews 05.19.2019


               Hey y’all. Welcome back after our week off. You may notice that this series has undergone a slight rebranding because I realized that I am not reading very many comics at the moment and occasionally may not have a comic to review. Its small potatoes though. Let’s talk comics and the relatively good week it was for. Except Uncanny X-Men. That comic is so bad I am not going to review it. I also am not going o buy it anymore. Its just Age of X-Man stuff until Jonathan Hickman arrives for me.

Comics Reviewed: Superman #11, Naomi #5


Superman #11

Writer: Brian Michael Bendis
Artist: Ivan Reis
Colors: Alex Sinclair
Inks: Joe Prado and Oclair Albert
Letters: Josh Reed
Cover: Reis, Prado, and Sinclair

               Man, this comic was such a delight until fucking Rogol Zaar came back. Throughout Bendis’ time on the Superman comics, I have always enjoyed Action Comics more than Superman. A big part of that is the insistence of this comic on putting the focus on the near-inconceivably boring Rogol Zaar. He’s a big Doomsday-looking monster guy that claims to have been responsible for destroying Krypton and only exists to finish the job.

               This comic is about a big space fight Clark and Jon stumbled upon at the end of the previous issue. A trio of aliens have descended upon Jor-El’s ship and its up to his family to rescue him. Rogol Zaar is also here for a quick second before he makes like a banana. Superman diffuses the situation peacefully in my favorite portion of the comic. There’s always one scene in each issue that demonstrates that Bendis really understands Clark and this is it. He gets some to surrender peacefully while others require more force. Superman never throws a punch. He raises his voice once. Yet he still manages to stop the bloodshed. It is truly awesome.


               Supes then heads to find his father and they have a superspeed fight before Rogol Zaar comes back and sucker punches Jor-El’s ship. Superman takes him outside so they can fight. Zod shows up and attacks Jon. The last five or so pages focus on this fight and SUpes realizinghe shouldn’t have rushed into this fight. When it looks like all hope is lost and one of the alien armies attacks, Supergirl and Krypto come flying in on a big hunk of rock! It’s a pretty dope moment.

               As always with this comic, the art is fantastic on this issue. Ivan Reis is one of my favorite artists and he’s joined by his usual cohorts so it looks just as good as you would expect. In particular, the blurring on the superspeed scene is pretty cool. It did confuse me for a moment until Jon pointed out they were going faster than him and everyone else. It’s a nice little touch

Verdict: Buy

Naomi #5

Writers: Brian Michael Bendis and David F. Walker
Artist: Jamal Campbell
Letters: Wes Abbott
Cover: Campbell

               So, we finally know where Naomi is from: An alternate universe! Let me tell you, I did not see that coming. I really want to know more about this other universe and the Crisis that occurred and gave people superpowers. It doesn’t appear to be related to any Crisis that DC has published in the past so I wonder if we’ll be getting a new Crisis event from Bendis in the near future. Don’t forget, Young Justice’s first arc in nominally about the various crises so there seems to be clear foreshadowing.


               We also get to see Naomi’s powers, but its not really clear what they are. I think most of that is because Naomi doesn’t know. But she ran (or flew or teleported or whatever) straight from the cave to her best friend, whom I thought had disappeared from the serious. I like her and would be her friend. If, y’know, she was real. And close to my age. But I digress. Naomi explains to her that she absorbed the cliffhanger box from last episode and it spoke to her. The box told Namoi her origin story and then Naomi rushed straight over to tell her friend. Then, the evil dictator of Naomi’s homeworld shows up. He looks like some sort of Cthulu monster. Cool?

               I don’t have much else to say about this issue. It’s a really interesting exposition dump. Jamal Campbell continues to knock it out of the park. You could (probably easily) convince me thisis the best looking series on the market. I hope the reason there is going to be a break after next issue so they can maintain the whole team that has created one of my favorite comics. Please don’t let Jamal Campbell leave, DC. Thanks in advance.

Verdict: Buy


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